Time:2025-11-23 Browse: 22
Lizhiguo: Provincial Master of Arts and Crafts , Inheritor of Tang Sancai Firing Techniques

In
the Henan province, a region steeped in the history of the Tang
Dynasty, Master Lizhiguo(Kevin Lee) has dedicated over three decades to
mastering and innovating the art of Tang Sancai. Recognized as a
Provincial Master of Arts and Crafts, he represents the skilled artisans
who form the backbone of this intangible cultural heritage, ensuring
its continuity through expert craftsmanship and thoughtful innovation.
Artistic Journey and Technique:
Born
into a family with a deep connection to local ceramics, Lizhiguo(Kevin
Lee) began his apprenticeship at a young age. His work is characterized
by a profound respect for traditional methods, which he executes with
exceptional skill. He is a master of the core Tang Sancai process:
Meticulous Clay Preparation: He selects and processes local clay to achieve the perfect consistency and purity.
Precise Two-Step Firing: He expertly controls the high-temperature
biscuit firing and the lower-temperature glaze firing, understanding
exactly how the kiln's atmosphere will affect his pieces.
Masterful Glaze Application: His specialty lies in his ability to
control the flow of the lead-fluxed glazes. His works display a dynamic
yet balanced harmony of colors, where the iconic amber, green, and cream
hues run together naturally without blurring the sculpture's defining
lines.
Signature Style and Contribution:
While
Lizhiguo(Kevin Lee) creates the classic Tang Sancai horses and camels,
he is best known for his elegant and expressive figurines of Tang
dynasty court ladies. His sculptures capture the grace, opulence, and
serene confidence of the era, with intricate details in the hairstyles,
flowing robes, and gentle facial expressions. He skillfully combines the
spontaneous beauty of the flowing glazes with finely sculpted details,
creating pieces that feel both ancient and vividly alive.
Role as an Inheritor:
Beyond
his own creative work, Master Lee runs a studio where he trains the
next generation of artisans. He emphasizes a hands-on approach, teaching
them to "listen to the kiln" and understand the subtle dialogue between
fire, clay, and glaze. His mission is to preserve the soul of this
ancient art while adapting it to contemporary tastes, ensuring Tang
Sancai remains a relevant and cherished art form.
His
works are held in private collections both in China and abroad, serving
as beautiful ambassadors of a timeless Chinese cultural tradition.